You can purchase Midday Sun on this website for $25.00 plus 10% postage within Australia. Hit the PayPal button below to make a secure payment using your credit card.

Midday Sun is now also available on iTunes - click here

Alternatively, you can send a cheque or money order for $27.50 AUS (includes postage) to: PO Box 7170, Leura NSW 2780, Australia

Midday Sun is also available from these outlets:
Stairway to Kevin, 183A The Mall, Leura NSW 
Explore Music, 11 Katoomba Street, Katoomba NSW

Some reviews for Midday Sun...

"This is the first solo outing for Blue Mountains singer-songwriter Long, having been involved with several bands over the past 20 years. Playing a lot of the instruments himself, his arrangements have an almost transcendental aura about them. Breezy choruses, fuzzy guitars and reverb-assisted psychedelic swirls recall a '60's vibe while a touch of modern, edgy indie-ness is added, particularly in the bubbling highlight Melody's Fate"
Paul Smith, Sydney Morning Herald, July 2008

"The consummate pop singer, songwriter and multi-instrumentalist Peter Long, whose CV includes four years drumming with Adelaide’s Primitive Painters, nearly a decade with electro-pop experimenters Puppethead, the power pop Resounder and the avant-pop Bumbum (as you can see, pop has always been the connecting tissue) has an unerring sense of the perfect pop melody, and delivers them in spades on this debut solo album.

And that doesn’t means it’s all saccharine or more silly love songs, despite the obvious love of the McCartney side of The Beatles catalogue either. There’s plenty of edge, from the crunching guitars that take you out of Misdirected, to the hint of darkness underlying many of the lyrics. In that sense, Long has more in common with the likes of bands like Pugwash or singer/songwriters Jon Auer (The Posies) or Glenn Tilbrook (Squeeze), both of whom inevitably draw from the same wellspring of classic ‘60s British pop.

Midday Sun also displays the broad spectrum of whatever it is pop is, from the eerie atmosphere, complete with squalls of building guitars, of Melody’s Fate, through the multi-layered harmony splendour of Stay Until Sunday to the vaguely ominous soundscape that delivers Nothing’s Changed. Throughout, it’s obvious Long has a solid hold of his material and a focus to match, realising each song with such an eye for detail the whole thing just shimmers in your ears, the way it does in all the classic pop albums, from Revolver on. And to think Long has been hiding himself away in the Blue Mountains the past three years."  
Michael Smith, Drum Media, May 2007